The mission of the Symposium of University Research and Creative Expression (SOURCE) is to provide a university-wide forum for Central Washington University (CWU) students, encouraging equity, diversity, and inclusivity, representing all disciplines and experience levels, to present their mentored research, scholarship, and creative works in a juried environment that meets professional conference standards and expectations.
The 2022 SOURCE program is hybrid. Pre-recorded virtual talks are colored green and can be watched anytime. Live/in-person sessions with Zoom access can be found in the daily schedule. Thank you for joining us!
To vote for the 2023 SOURCE poster, click here To learn more about SOURCE or give to support the students of Central visit, https://www.cwu.edu/source Connect on social media with @CentralWashU, @cwusource, #SOURCE2022, #CWUTogether
This video essay analyzes the early filmography of George Lucas as a critique of auteur theory. Dissecting THX 1138 (1971), American Graffiti (1973), and Star Wars (1977) based on their autobiographic qualities, this short documentary investigates the advantages and disadvantages of reviewing a complicated cinematic work through the lens of an individual author. Analysis will focus on Lucasfilm founder George Lucas and his reputation for controversially altering his works through special edition re-releases, calling into question the sanctity of theatrical releases and the confines of a film auteur. Does a filmmaker, particularly one whose films are drawn from personal experience, have the right to restrict access to their original works by substituting theatrical releases with director endorsed re-edits? “Escaping Modesto” attempts to answer this.
